![]() ![]() ![]() First published 2019 University of Rochester Press 668 Mt. Except as permitted under current legislation, no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded, or reproduced in any form or by any means, without the prior permission of the copyright owner. ![]() Copyright © 2019 by James Porter All rights reserved. Porter.indd iv 5:47:29 AM Beyond Fingal’s Cave Ossian in the Musical Imagination James Porter Porter.indd v 5:47:35 AM The University of Rochester Press and the author gratefully acknowledge generous support from the Otto Kinkeldey Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. The National Galleries of Scotland, Edinburgh, D 299. Syer A complete list of titles in the Eastman Studies in Music series may be found on the University of Rochester Press website, Porter.indd ii 5:47:29 AM Porter.indd iii 5:47:29 AM Alexander Runciman, The Blind Ossian Singing and Accompanying Himself on the Harp, 1772. Locke, Senior Editor Eastman School of Music Additional Titles of Interest Dane Rudhyar: His Music, Thought, and Art Deniz Ertan Liszt’s Final Decade Dolores Pesce Liszt’s Transcultural Modernism and the Hungarian-Gypsy Tradition Shay Loya Mendelssohn, Goethe, and the Walpurgis Night: The Heathen Muse in European Culture, 1700–1850 John Michael Cooper Mendelssohn, the Organ, and the Music of the Past Edited by Jürgen Thym Musicking Shakespeare: A Conflict of Theatres Daniel Albright Pentatonicism fron the Eighteenth Century to Debussy Jeremy Day-O’Connell Representing Non-Western Music in Nineteenth-Century Britain Bennett Zon Schumann’s Piano Cycles and the Novels of Jean Paul Erika Reiman Wagner’s Visions: Poetry, Politics, and the Psyche in the Operas through “Die Walküre” Katherine R. Citation previewīE YOND F I N G A L’ S C AV E ossian in the m u s i c a l i m ag i nat i o n james porter Beyond Fingal’s Cave Porter.indd i 5:40:56 AM Eastman Studies in Music Ralph P. 2005) - Afterword: The "half-viewless harp"-secondary resonances of Ossian - Appendix I: Title page and dedication of Harriet Wainewright's Coma?ala - Appendix 2: French and German texts of Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian - Appendix 3: Texts of Erik Chisholm's Night song of the bards - Appendix 4: Provisional list of musical compositions based on the poems of Ossian. 2: Lament for the son of Ossian (1903) - Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) - Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. ![]() 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) - The cantata as drama : Joseph Jongen's Comala (1897), Jørgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) - Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals - Beethoven's Ossianic manner, or, Where scholars fear to tread - Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda - The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) - Sca?enes lyriques sans frontia?eres : Louis Tha?eodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) - Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un ra?eve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) - The musical stages of "Darthula" : from Thomas Linley the Younger (ca. Table of contents : Battling critics, engaging composers : Ossian's spell - On Macpherson's native heath : primary sources - A culture without writing, settings without a score, Haydn without copyright, and two Oscars on stage - "A musical piece" : Harriet Wainewright's opera Coma?ala (1792) - Between Gluck and Berlioz : Ma?ehul's Uthal (1806) - Fingallo e Comala (1805) and Ardano e Dartula (1825) : the Ossianic operas of Stefano Pavesi - From Venice to Lisbon and St. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |